Aug 30 2005
Atonement. Ian McEwan. Review
love story
This has all the power of McEwans well established ability to raise emotions, cross social boundaries, fill you with anticipation. I couldn’t work out which scenes actually included sexual intercourse. I found this uncertainty rather fun, to be left to infer, guessing by descirptions of position, demeanor, sounds and feelings. Keep this up
crime story
An unusual bent on a traditional fictional genre, no detectives. Just the witnesses and victims and the impact of the legal and social crimes as time unfolds. The character’s role in the crime was well laid out in the first part. As with being unclear about the sexual intercourse, I was also unclear about whether a legal crime occured. Certainly moral crimes occurred. I would rather have found out more about the immediate aftermath in the second part. Instead we skip to 3 years later. I was left with some major questions left unanswered about the roles played by some of the key players in the first part. Adjust this.
war story
Uh. I got bored and started skim reading wondering how the peripheral characters introduced in this storyline related to either the Love story, the crime story, or the story about stories. Either I missed something or they didn’t. This storyline seemed superfluous. Well written, but it just didn’t entertain or significantly move the plot forward for me. Cut this.
story about stories (postmodern)
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