hold on tight!
It wasn’t an Omnishambles by any stretch of the imagination. A completely retrievable set of miner shamblings by John that in no way seemed to undermined the orchestra’s ability to put on an awesome show. A very polished performance by the orchestra.
The shamblings started when John introduced the 3rd piece in the set – and got it wrong. The Orchestra subtly let him know. John tried again, wrong again. By his fourth attempt he had worked-out what piece he was introducing. The audience giggled affectionately. Even the orchestra seemed amused by his unawareness of the running order. As the evening progressed and John threw in some sexist stereotypes under the guise of witty retorts to introduce each piece - he seemed drunk. His keenness to hold onto the rail around the conductors stand didn’t help make him look sober.
A blacker pot
The most entertaining part of John’s performance was when he shifted from conducting the orchestra to conducting the audience. We definitely needed his help, we didn’t know the tempo, the pitch, and couldn’t even remember the words to ‘Rule, Britannia’. We surely were a bit pathetic. Even our flag waving was decidedly below-par, no wonder are no longer an empire. We were a bit damp squibb-ish.
What was the set list?
My favourite was Grieg’s ‘In the hall of the mountain king’. The ‘Dam Busters March’ seemed like a bit of an outsider It certainly kept me happy and toe-tapping. I found ‘Those Magnificent men in their flying machines’ a tad more befuddling, a bit of befuddlement can be a good thing.