scribbles tagged ‘creativity’

cushion cover creativity

Tuesday, April 10th, 2012 | tags: , , ,  |

Ready to sew Finished bench cushion cover I kicked a bedspread into bench-cushion-cover shape during the long bank holiday weekend!

Not a trivial achievement:

  • getting all the bits to mumzie’s house (where the sewing machine lives)
  • working out how to cut-the bedspread so the patterns line-up sensibly on the cushion cover
  • threading the sewing-machine (including loading and installing the bobbin)
  • cutting the bedspread, pinning it together in the right arrangement
  • troubleshooting the elderly sewing machine idiosynchracies while putting my foot to the pedal – vrrrrrroooooom
  • clearing up the debris from the table, floor and up my not insubstantial nose

1 wonderful musing »

Barcelonian street art

Friday, November 4th, 2011 | tags: , , , ,  |

I was 19 the first time that I noticed graffiti as street art. It was a stylysed picture of a person body-pop dancing on a wall in Clifton, Bristol. Over the years graffiti as an art from has become much more prevalent and is often one of the joys of wandering round cities. Barcelona was full of it. Here are some examples from Barcelona

Por que? Fuck No Salvador Dali Dangerous Bunny Many of the protective shop-fronts are bespoke painted. This makes them look attractive and prevented less creative graffiti


2 bits of fabulous banter »

Urban art

Monday, September 19th, 2011 | tags: , , , , ,  |

This August Bristol hosted a “see no evil” ‘block’ party, in a street dominated by 1970’s blocky, brutalist style architecture, Nelson Street:

“Some of the world’s leading street artists, some of the biggest pieces of permanent street art, some of the best music and one big block party August 20 2011!”

Artists included:

  • Tats Cru (NY)
  • El Mac (LA)
  • Niels Shoe (Amsterdam)
  • Mr Wany (Bristini)
  • Inkie (Bristol)
  • Aryz (Barcelona)
  • Zeus (UK)
  • Nick Walker (UK)

The artwork transformed places you might quickly walk through on your way somewhere else to places you go to linger. The varied pictures and styles change moods, raise questions, touch the soul. Bros 1957 and I lingered there, talking, smiling, photographing for several hours

to the car park


2 bits of fabulous banter »

the wild, wild, west…

Tuesday, August 9th, 2011 | tags: , , , , ,  |

nigger whore!

Calls from the coach-load of Police cadets to my 15 years old friend, Diana. I moved myself between her and the coach to block their view of her coloured skin. I’d grown-up in a middle class white suburb of Bristol. Diana was one of the ‘half-cast’ (mumsie’s term) people in the large town. Everyone knew them by name, they were special people. I’d always been proud that the intelligent, beautiful, articulate and aware Diana was one of my friends. The day after the St Pauls riots Diana asked me if I’d come with her to check that her grandmother was ok. In all innocence and a broad local accent I didn’t hesitate

Year, coarse, me luv!

Banksy

I didn’t understand why she’d even asked. To me it was a mini adventure. I’d never gotten off the bus at St Pauls. I’d ridden the bus through to the city center. Seen the prostitutes lining the streets, heard the reggae booming from loud speakers hung-out of townhouse windows. The place seemed alive. I’d always wanted to get off the bus and look around, but it was Bristol’s black ghetto, nice middle-class people didn’t go there. Bristol was a major port in the slave trafficking triangle. A side effect of Bristol’s role in slave trading was a large local Black population. Few had moved into the suburbs, as Diana’s mother had done when she married a white man.

The police continued to hurl verbal abuse. Not at me, I appeared to be invisible. Abuse directed at Diana who cowered behind me. It was obscene that these ignorant people could reducetThis strong, intelligent, fifteen year old girl to a cowering wreck

My belief in the police as a just arm of the law forever shattered

10 years later I bumped into Diana in a Bristol bank. She had 3 small children in tow. From our brief conversation as we waited in line I discovered she was unemployed, single, with 5 children all fathered by different men. She apologised for herself. There was nothing left of the beautful potential I’d seen, she didn’t seem to know that she was worth anything more than being a low income mother. She never really had a chance. I felt guilty for viewing her motherhood as under achieving, for hearing her self apologies as confirmation of failure. Knowing that I am where I am because I’m white, priviledged, and have a plucky ‘dont mess with me’ attitude validated

Rioting again in London town, not Reading town

My life is littered with luck


3 bits of fabulous banter »

Eeny, meeny, miny, moe

Saturday, July 9th, 2011 | tags: , , , , ,  |

White phone boxMaking sure you got your phone calls was a complicated affair in the days before cell phones and answer machines. Especially for a teenager. This is just one of the problems I encountered – after coming home from a long, fun night practicing with the marching band:

Mumzie: Graham called while you were out

Wendy: Graham! Which Graham? What did he say?

Darn, now mum knows there are several Grahams in my life and he might have told her something personal.

Mumzie: there’s more than one Graham? He didn’t say what it was about dear, just said to let you know he’d called

Double darn

Clearly this is a discreat Graham. Can’t pick one out from the rest based on that description. So now I have to work out in which order to phone them back. Then how to start the conversation without giving away that I don’t know if I’m returning a call, or calling them for the first time? Then I have to work out how to advise mumzie on taking future calls from Grahams, to help her work out which one called without saying “which Graham are you?” which would make each of them feel insignificant, and they’re not. They’re all special in different ways

Life’s so complicated!

 

 


2 bits of fabulous banter »

Fine art map

Wednesday, June 29th, 2011 | tags: , , , ,  |

Fine Art Map LostReading University fine art degree show 2011

Tucked behind a filing cabinet in the corridor, a departmental sign proclaimed “Fine art map”

The map didn’t embody my understanding of ‘fine art’. The skills and interests of departmental academic staff don’t emerge in this creation for public consumption. The title ‘Lost’ was apt not just geographically, but with the pieces displayed in the show. Final pieces were planted without context, no comment on the artists inspiration or journey. This often left me feeling lost and wishing the artists had put more effort into engaging me. Afterall, I am here as a willing participant

Each piece was labelled with a title, the name of the artist, their course. Some large paintings of nude women were labelled “nudes”. Indeed, the title did convey the content in a stripped to the bare essentials way – like the paintings

I managed to find fun in some pieces. Especially when the artist had planned them to engage with action aswell as thought:

  • running through a waterfall
  • putting a post-it note to my friends in Seattle on a map of the world

I kept getting distracted from the show by the wonderful language of the building and social structure. Then labelled-stickytape, provided by one artist, kindly drew me back to the thoughtful work of the students in the building

potentiality


3 bits of fabulous banter »

can you improve cemetery junction?

Tuesday, May 24th, 2011 | tags: , , , , , ,  |

A4 going east approaching Cemetery JunctionCan you improve Cemetery Junction?

Is it so gorgeous that any changes are more likely to ruin its existing gorgeousity?

Is it so icky that people have given up hope of being able to improve it without first obliterating it?

The question raises all sorts of emotionally charged, creative, cynical, optimistic, pragmatic and other reactions from people who live near, or pass through, the infamous local junction of the A4 (London Road) and A329 (Kings/Wokingham Road).

A local councilor, Rob White, is working with local action groups to improve the Cemetery Junction area. At the moment he’s consulting with locals. The co-op has a big cardboard suggestions box decorated with a collage of magazine pictures of pretty things. Excellent stuff. It made me feel like being back at school where having a go was important, encouraged and easy.

I’m loving the humour and creativity evident in this summary of suggestions to improve cemetery junction made on a ‘Get Reading’ news article:

  • i’m thinking giant dinosaurs
  • how about a cinema or a roller disco?
  • Napalm
  • Make it a spooky theme park
  • How about a monorail?
  • A small tactical thermo-nuclear device
  • Bit of paint and a clean should do it….or if you really wanna prettify it, hanging baskets
  • An underpass
  • make a big roundabout where resturant is
  • Nuke the site from orbit. It’s the only way to be sure
  • re-install the gallows that used to stand on the site now occupied by The Granby? It might act as a deterrent to the hoodies and wannbie gangsters in that area
  • What about an H Bomb?
  • Prevent shop keepers and traders from parking cars and vans on the pavements
  • The overhanging bushes on the London Rd side need trimming… …new paving and signage
  • can’t be improved – its a dead loss
  • A Tesco supermarket each side of the road, with a couple of Tesco Expresses sprinkled around Liverpool and Cholmeley Roads
  • big ornamental archway would brighten up the area considerably
  • Give me some explosives and a bulldozer and Ill give you instant results. Guaranteed
  • Zombie Apocalypse

6 bits of fabulous banter »

Guerilla graffiti

Thursday, May 5th, 2011 | tags: , , ,  |

Graffitti off of Princes Avenue in HullEnthusiastically immersed in socialist discourses and lengthy walking tours of the Hull Avenues. Our spirits raised by all sorts of street art. Sunshine uncovering unexpected family similarities in manner, attitude and humour

good company


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portraiting iterations

Thursday, November 11th, 2010 | tags: , , , ,  |

Producing a painting is very different from producing high quality software, it also has some key similarities. The similarities stem from the fact that you can’t do something this complicated right the first time, you need to take steps and reflect on how well each step is working, then make changes to improve it. You need to iterate.

Different iterations have a different focus. Below are the iterations for my last portrait, of Jasper. The inspirational photograph is on the left hand side, the 6 iterations move from a sketch on the right to the final version next to the photograph. I planned 4 iterations and had to add one because iteration 4 (the pale one) didn’t work aswell as I’d hoped.

Portrait of Jasper - photo and different painting production stages

Plan: The conceptual work for the painting is done before the sketch; getting to know the subject (Jasper) and the ‘user’ (Jaspers owner) what does the user want from the picture, where would they like to hang it in their home, how do they see the subject? This is the eqivalent of market research, product planning, and conceptual design explorations for a software project

Architecture: The first sketches are of the composition, the placement of features the use of space. No paint. How is the information organised in a way that makes sense. You can see how I made Jasper’s eyes look more upwards and towards the viewer than in the photograph. I wanted Jasper to look more directly at the ‘user’ . This is the ‘Information Architecture’ for a software development project – where is everything in relationship to everything else

Foundations: The first coat of paint is a base, it wont be seen in the final version but it emphasises or mutes the colours on top. For darker areas use a dark base, for brighter colours use a light base. For software this is  equivalent to wireframing the user-journeys through the software. The text may not be accurate, but the general idea of the interactions are in place

Technical investigations: With this painting I tried several techniques that I had never used before such as layering a watery-thin layer of white paint then using a brush to partially remove it, hoping this would create a finer texture impression of fur than I could achieve with a brush. For software projects the developers are often trying out how new technologies that can solve technical challenges and add value to the design. I love watching software engineers get all excited about technical proof of concepts

Filling in the framework: Successive layers add more detailed colour and texture, I had trouble getting the colour-mix to work. Between each coat the artist reflects on how well they are achieving their vision, making adjstments with each coat. Gradually the painting begins to look like the final product. But it’s clumsy, edges are not smooth, features are slightly mishapen, colours are too bright.  For software products this is the production and testing of the code

Fit and finnish: The final level details, this might be a glaze wash over the painting. For software this can be checking the details are consistent, the performance is smooth, the visuals are complete.

Commissions considered…


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time for creative driving

Wednesday, October 20th, 2010 | tags: , , , ,  |

Continue to West Street? Where is West Street?

Follow the pink line? What do I do when I get to the junction of High Street and Back lane?

Or should I go the other direction, the way Thomas is facing, away from Back lane?

Time for creative driving

which way?


3 bits of fabulous banter »

Streets in the sky

Tuesday, August 10th, 2010 | tags: , , , , ,  |

I first heard of the Park Hill estate during my undergraduate environmental psychology classes in 1986.  The architect’s, Ivor Smith and Jack Lynn’s, vision for a high rise estate to replace sprawling slums in the northern English city of Sheffield with “Streets in the Sky”. Streets in the sky would recreate the strengths of the communities which had flourished in the back to back slums and provide improved living conditions at a bargain price. Taking people out of small, damp, Victorian terraces where  kids played in the streets and giving them streets in the sky with views over the city, inside toilets, covered walkways, balcony’s where children could play and neighbours could chat, with room for attractive open park land around the high rise buildings.  Smith and Lynn’s designs were heavily influenced by Le Corbuiser’s Breton Brut as evident in his Marseilles Unité d’Habitation. Breton Brut became known in Britain as ‘Brutalism’,  simple functional form. They wanted to build in a sense of neighbourliness into these functional spaces.

These changes were intended to improve the standard of living for people now living in a slum area locally know as ‘Little Chicago’ in the gangster era.  The Park Hill estate was completed in 1961 with 995 flats that could house over two thousand people overlooking Sheffield city centre. Front doors opened to a 12 ft wide balcony, a street, that runs right across the estate over bridges between buildings.  Milk floats could trundle from door to door along streets named the same asthose in the original slums they replaced.  People that were neighbours in the slums were rehoused next to each other.

Worthy, admirable intentions

When built,  the social ideal didn’t happen

The estate soon became known as Sheffield’s San Quentin. The failure of the original design vision has been blamed on many things including

  • easy access routes for muggers
  • poor sound insulation
  • the streets being open to the inclement Sheffield weather
  • the building’s ugliness
  • the poverty of the occupants

In 1998 Park Hill became the largest grade 2  listed building in europe.

This centruy English Heritage, Urban Splash and Sheffield city council have been renovating Park Hill.

It’s difficult to tell from the publicity what is being changed to make the project work  as a successful place to live this time. A recent BBC TV programme about the renovation focussed on English heritage’s aesthetic and structural requirements for preservation not mentioning any changes to the space aimed at improving the occupants expereince of living there. The programme made the vision appear less social that the original. So what will have changed since it first opened?  It looks like the renovation will be

  • It’s prettier with bright rainbow colours
  • occupants will not all be council tenants, some will be home owners and some shared ownership. They will be a different socio-economic mix
  • the streets will not be open to the Sheffield weather
  • living there comes with the kudos of living in a classic listed building

5 bits of fabulous banter »

suicide banker

Thursday, July 8th, 2010 | tags: , , , , ,  |

On the wall of a shop.

A small graffiti image in the style of Banksy shows a man holding a gun to his head.

The image is near where Woolworth’s used to be.  The Woolworth’s site still unoccupied in the centre of town.  In the other direction a bank has been converted into a pub, called ‘The Bank’.

hmmmm……


1 wonderful musing »

gandolf’s gnashers

Tuesday, July 6th, 2010 | tags: , , , ,  |

The graffiti of Tiverton shows the local religious practices.

The Wzards of Tiv breed a rare form of magic moth known as the gizajob.  To keep the moth pupae both moist and warm they weave the pupae into their beard just below their nose where it cunningly covers their mouth. Luckily its not currently the breeding season, though I did see many wizards with appropriately sized beards.


1 wonderful musing »

coptic Cairo

Sunday, December 6th, 2009 | tags: , , , , , , ,  |

hanging church wall decorationThe word ‘Coptic’ appears to refer to an Egyptian language spoken in Pharonic times  and currently written with the Greek alphabet

The language is now used in the Coptic church,   a christian church with it’s own Pope (not the  Catholic one).    The apostle Mark reputedly bought christianity to Egypt  in the first century AD when Egypt was governed by Rome, Emperor Nero

The Copts seceded from the other Christian churches in the 5th century  because they rejected the decision of the Council of Chalcedon (451)  that Christ had a dual nature, both human and divine, believing instead that he had a single, divine nature

Christianity is now the largest minority Religion in Egypt.   About 95% of Egyptians are Muslim.   The christains have a difficult relationship with the state, government and some Muslims

hanging church wall paintingThe external architecture of the christain churches was such that I found them difficult to spot.   The give-away sign was a cross,   normally on a dome

I visited the 7th century St. Mary’s hanging church in Coptic Ciaro.   Called the ‘hanging’ church because it  is built overhanging the Roman gatehouse of old Cairo.    This church was increadibly beautiful.   Painted walls with motif’s that often looked celtic, arabic writing, gold-leaf

Wall panels were delicately carved wood inlaid with ivory in regular geometric designs.   Often straight lines constructed to enable you to see circles and curves.    The colours created a warm celebratory atmosphere,   very different from the white-washed  walls of many Church of England churches.   This celebration in art appeals to me.

Mary and Jesus - Coptic churchI was suprised to find the paintings of people (Mary, Jesus, Saints) depicted very pale-skinned people that looked like North Europeans,    an over-emphasis on pale skins given the likely colouring of the people portrayed.   They were at least portrayed with brown-eyes and dark hair


1 wonderful musing »

news: wendy is a fake woman (crash*)

Tuesday, July 22nd, 2008 | tags: , , , , , , ,  |

Sunday Times and   online Times article ‘Sex and the Sixities’    by India Knight includes the following rousing calls to womanhood:

the essence of modern womanhood, the one hard-to-define component that makes us all want to cheer the loudest…”   is   “…possibility that we may, at 62, perhaps look like Helen Mirren in a bikini

a 62-year-old woman looking hot, properly hot, not hot for her age or hot as in fanciable, even though you know you shouldn’t is a thing that simply can’t be celebrated enough.”

‘Mirren in her red bikini says more, more succinctly, about what women want and can achieve than any amount of turgid feminist preaching ever could’

Gosh,  I don’t think I know people  who think spending time and skill to dress for the occasion is shallow,   but India thinks  that view might be held by some Times readers  because she considerately quashes it “if you think that’s shallow, I would humbly posit that you understand nothing at all about real women’s hopes and ambitions.”   Trying to following India’s  humble  reasoning,   leads to the suspicion that if I don’t want to look like Helen Mirren in a Bikini then  I may not be  a real woman,   Ooops!   I think I may have fallen over.

Apparently the social construction of ‘woman’ once meant “no longer being a girl, which translated into bad clothes, bad hair, bad make-up and, if you were especially unfortunate, a bad figure.”   and “Worse, having reproduced meant that in the eyes of society you no longer existed as a sexual being“.  It seems that  India believes promoting yourself as a ‘sexual being’  , sexbot, should be an aspirational goal  for real women and it is equated to looking young. If you don’t look sexy you look old.   Whhhooooops!   I definitely fell over this time.

India’s view also implies that, normal,  aspiring real women have no financial or legal obstacles to not looking youthful and sexy because ‘deregulated’‘  ‘minor surgical procedures’  are ‘nothing that is outside most people’ league’ .   It is all part of the groundwork for achieving ‘a triumphant assertion of easy, carefree femininity’.    While fake women should embrace the freedom and “life-changing power of hair dye“.    As a self-identified, terminally-fake, woman I  “might know better if they [I] made an attempt at living in the real world“.   Maybe downtown Reading is actually a figment of my nasty, demented, Ivory-tower, imagination?    Deary me,   I   must get out more and take my zimmer-frame.

If ‘looking good’ is primarily equated to looking youthful and sexy I have no intention of developing an interest.  or skill,  in it.   When  looking good is constructed to promote  wrinkles and twisty silver hairs  ideally with a dash,   or spring, of surrealist creativity,   then I’ll be swinging my funky-stuff with the melting clocks  but not with the  people who aspire to portray themselves as sexbots.

For now,    if I place myself in India’s analytical framework I find that  I am:

  • Preaching (turgid?) feminism.
  • intelligent, a  blue stocking.
  • a frump because  I don’t pride myself in being fashionable.
  • Living in an ivory tower (in Reading).
  • not recognising the equivalence of the value of having a face-lift with the right to paid maternity leave.

At least India has clearly given me the escape route to achieve real-woman status that luckily I can choose not to aspire to,   I must

  • maintain my already abundant confidence.
  • promote my sexual potential.
  • develop and interest in whatever the current fashion defines as looking good.
  • have minor surgical procedures so that I can look good in a bikini.
  • Die my hair.

Unlike Alan’s outstanding advice I wont be aligning the value-set outlined in India’s article.

* the sound of me and my zimmer-frame colliding with the ground when dropping out of our Ivory tower.


3 bits of fabulous banter »

Raymond’s Birthday Poem

Sunday, December 9th, 2007 | tags: , , , ,  |

Raymond’s Birthday Poem

If a fellow knits stuff and does it quite quick
and never once tangles the wool on his stick
would you say of the clatter and say of the click,
Well, he’s not knitting knots at a fair old lick?

And if he trained head-lice to help with the job,
gave them little needles, paid them a few bob,
explained how to cast on and then later cast off,
would you believe in the nits now not knitting knots or would you just scoff?

But the smaller the fingers the finer the weave,
and employing such workers is great, I believe,
for creating new woollens with panache and far
greater strength than is found in the cheaper Kevlar.

Some folk find this mixture of factors spot on,
more crafty than denim, warmer than cotton,
a wide choice of sizes for men and for women,
but not really clothing one should try to swim in,

’cause wool absorbs water and clogs and weighs down
and encourages wearers to submerge and drown
which isn’t the greatest of hobbies to take up:
it ruffles your hair and smudges your make-up,

and no one really wants to be looking their worst
when they’re dragged from the river and offered bratwurst
(which is how in Bavaria they check you’re alive
(or so I was told by a fellow called Clive)).

But this super-tough knitted material’s handy
away from the rivers, where it’s dry and dandy,
for protecting the wearer from bruises and bumps
and contusions and grazes and fractures and lumps,

say out on a bicycle, whizzing downhill,
with the wind in your hair, no trace of the chill
thanks to the weave that covers you up
as you weave around litter and pooh of the pup

that’s been left in the gutter along with road-kill
and yesterday’s paper and one espadrille
and cartons and bollards and packets of krill
split open and slimy and a rickety grill

that covers the sewer, well almost, not quite,
and in England the cars are all on your right,
hooting and braking and fucking about,
opening doors and letting kids out,

so thank God you’re in wool that’s been knitted by nits
and is doubly-woven on your private bits
’cause a million things are waiting to do
harm to a person as lovely as you,

watch out for the stick that gets stuck in your spokes,
watch out for those tumbling stray artichokes,
watch out for the kid who runs after his ball,
watch out for the dog who runs after his ball too,

watch out for the dangers that you least expect,
the unlikely ones that will make you eject,
the uncanny, perverse, bizarre things that disturb
for instance, who’d think?, a guest starring kerb.

Thank goodness for wool, thank goodness for knitting,
thank goodness for not having grazes with grit in,
thank goodness for bikes that keep us all healthy,
and poets with patrons who are quietly wealthy.

A.F.Harrold

(PS publication of this poem does not in anyway coincide with Raymonds actual birthday,   which is,   one of natures mysteries)


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dichotomy in the universe of closed questions

Sunday, April 22nd, 2007 | tags: , ,  |

Waffle Warning

dichotomy in the universe of closed questions

a ‘closed question’ is a question that has a specific answer,   answers like:

Lets suppose that in the universe of possible questions there are an infinitie number of closed questions.  

What is the dichotomy in the universe of closed questions?   The dichotomy is between questions that can be answered ‘no’ such as   ‘Wendy,   do you live in an igloo?’,   and questions that can be  answered ‘yes’ such as  “Wendy do you live in a wooden house?”   Tonight’s beer-induced Wendy-epiphany is that this dichotomy of closed questions may not be equally populated.   I suspect that there are more possible questions to which the answer is ‘no’ than there are questions to which the answer is ‘yes’.   This suspicion is based on the following preliminary analysis:

Take this question structure as an example:   “Wendy, do you live in a   [insert word here]?”

If the inserted word is a physical home-type without counting all possible insertions  I am estimating that the answer is more often No than Yes.  

Example physical home-type:   house, bungalo, igloo, TeePee, tent, hotel, skyscraper, apartment, condominium, flat, tree,  bath, lake, road  

If the inserted word  is some other plausible descriptor of living conditions I suspect there is  still an obvious weighting towards no over yes.    

Example plausible descriptor:   mess, illusion, happy place, circus, bubble, dream, fantasy

If the inserted word is not plausible  the answer is most likely to be no

Example not-plausible words:  pin, parrot, toe-nail, bling, 43

There are more no than yes answers in the range of possible answers.   People tend to produce ‘yes’ answers,   it’s been studied by psychologists so that they can create and understand the results of questionnaires.   Since people tend (bias?) to agree, to provide ‘yes’ answers,  the tendancy  has been  given the  fancy name of    ‘acquiescence bias’.        

People, not psychonlogists,  use skill and prior knowledge  to help raise the baseline for the production of ‘yes’ answers above  that which would be predicted by either a

  • model that assumes the answers produced are a proportionally representative subset of all possible answers  (More ‘No’ responses), or  
  • counter-balanced   (half no, half yes) answers approach normally used in questionnaire design to ‘control’ the bias.    

Some people, and psychologists,  are so cunning they minimize asking questions that can be answered no and can effectively use this acquiescence bias to move towards, and gain, a concensus.   People are wonderfully clever like that;   giving each other the opportunity to say yes.

I really like questions where the answer is ‘yes’,   I’ll leave you with this example:

Wendy would you like another beer?”

Waffle warning over  


1 wonderful musing »

guerrila artist banksy

Monday, March 19th, 2007 | tags: , , , ,  |

The graffiti in Bristol provided a pleasant surprize, especially this humerous piece by Banksy.  I am completely soppy  about Banksy’s work.


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subversive creative translations

Saturday, December 10th, 2005 | tags: , , ,  |
The WhitePrince is earning his crust by translating documents.
He wrote:
"Do you know anything about train control circuits ?   Me neither. making it up as I go along"
 
Hmmmm… ….translators have the power to make stuff up.   Who knows what cheeky little subversive things they are sneaking into formal documents.  
 
Origins of the idiom ‘Earning a crust’?
 
bread = money. From cockney rhyming slang, bread and honey = money. Bread also has associations with the expression ‘earning a crust’, or having enough money to pay for one’s daily bread.
 
 
W
 


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punctuation out of the box

Tuesday, November 22nd, 2005 | tags: ,  |

Is it time for some editorial reform? This month even my adorable readers are politely REVOLTING:

Geek:   “How did you manage to write your doctoral thesis?”

Wendy: “it was referred for editorial re-writes based on my inconsistent use of apostrophe s

EnglishTeacher:   “I d’ont mind spelling so much as the apostrophe’s in the wrong place ´s. It drive’s me mad !!   Ill just help you with one thing if I may – apostrophe’s are not for plural’s.   Please correct thi’s  paragraph by putting apostrophe’s in the right place’s and taking out the one’s which arent s’upposed to be there.

To check if I could actually  apply the apostrophe s rules I tried this self-test.  

The  results are  UNPUBLISHABLE.    

Wendy persistently-creative-punctuator


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