hold on tight!
Thursday, January 3rd, 2013 | tags: 3 smiles, Bristol, concert, live performances, reviews |
There was a charmingly shambolic tone to John Pryce-Jones conducting of the tasty Welsh National Opera orchestra for their Christmas Proms at Bristol’s Colston hall.
Rating:
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Just John?
It wasn’t an Omnishambles by any stretch of the imagination. A completely retrievable set of miner shamblings by John that in no way seemed to undermined the orchestra’s ability to put on an awesome show. A very polished performance by the orchestra.
Christmas spirit?
The shamblings started when John introduced the 3rd piece in the set – and got it wrong. The Orchestra subtly let him know. John tried again, wrong again. By his fourth attempt he had worked-out what piece he was introducing. The audience giggled affectionately. Even the orchestra seemed amused by his unawareness of the running order. As the evening progressed and John threw in some sexist stereotypes under the guise of witty retorts to introduce each piece - he seemed drunk. His keenness to hold onto the rail around the conductors stand didn’t help make him look sober.
A blacker pot
The most entertaining part of John’s performance was when he shifted from conducting the orchestra to conducting the audience. We definitely needed his help, we didn’t know the tempo, the pitch, and couldn’t even remember the words to ‘Rule, Britannia’. We surely were a bit pathetic. Even our flag waving was decidedly below-par, no wonder are no longer an empire. We were a bit damp squibb-ish.
What was the set list?
My favourite was Grieg’s ‘In the hall of the mountain king’. The ‘Dam Busters March’ seemed like a bit of an outsider It certainly kept me happy and toe-tapping. I found ‘Those Magnificent men in their flying machines’ a tad more befuddling, a bit of befuddlement can be a good thing.
















Loch Fyne 
customer: what is blue cheese souflee?











A striking design feature of this courtroom was how similar it is to the court-rooms I’ve seen in US films. There is a central isle through the public gallery to a low gate marking the entrance to the main court area. The barrier is purely symbolic, anyone could step over the low-wall, gate dividing the court from the public gallery. The public and the lawyers enter by walking down the isle. In the UK the door to the public gallery appears to be separate none of the court officials have to walk through the public. Depending on their status the accused enters through the public gallery (not yet proven guilty of anything) or wearing prison gear from a door in the main court area. Just before the judge entered the room the court clerk banged a gavel three times and called out ‘all rise’.







